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  • ABOUT
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    • Origami
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    • MY SUMMER, MY NAME 1
    • DESCRIBE & DRAW 2
    • GROUP DOODLER 3
    • Tell Me Without Telling Me 4
    • Make Your Eyes Move: Introduction to Composition. 5
    • Near, Far, and In Between: Creating Depth & Space 6
    • Introduction to Value 7
    • Value From Observation
    • Drawing Prompts
    • VISUAL ARTS 2026–2027
    • VISUAL ARTS SKILLS ASSESSMENT
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    • MFA
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    • CHILDREN'S BOOK ILLUSTRATION 🔒
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  • ⌂

VAL DAUGHTREY

Dreams don't have deadlines

  • 20
  • ABOUT
    • BIO
    • GOALS
    • CONTACT
    • NEWSLETTER
  • LESSON PLANS
    • Origami
    • COLLAGE
    • What is Art ?
    • MY SUMMER, MY NAME 1
    • DESCRIBE & DRAW 2
    • GROUP DOODLER 3
    • Tell Me Without Telling Me 4
    • Make Your Eyes Move: Introduction to Composition. 5
    • Near, Far, and In Between: Creating Depth & Space 6
    • Introduction to Value 7
    • Value From Observation
    • Drawing Prompts
    • VISUAL ARTS 2026–2027
    • VISUAL ARTS SKILLS ASSESSMENT
  • ART GALLERY
    • LA
    • MFA
    • FILMS
    • DESIGN
    • MURALS
    • ARTIVISM
    • BeHANCE
    • ANIMATION
    • ILLUSTRATION
    • RAW GALLERY 🔒
    • HARLEM HOPS 🔒
    • BACK TO THE PRESENT
    • CHILDREN'S BOOK ILLUSTRATION 🔒
  • COMMUNITY
    • ARTIST TALKS
    • TEACHING ARTIST
    • CIVIC ENGAGEMENT
    • PROGRAMS/ EVENTS
  • SKETCHBOOK
  • ⌂

Value From Observation

Lesson 2 â€ĸ Crumpled Paper Challenge â€ĸ Charcoal

1. DO NOW — DRAW WITH LINE ONLY

Draw your crumpled paper using only LINE. No shading yet.

Focus on: edges, folds, angles, shape, and placement.

05:00

2. LOOK AGAIN

Is this paper actually all white?

No. Even white paper has many different VALUES when light hits it.

Some areas catch light. Other areas turn gray or dark because the folds block the light.

VALUE = the lightness or darkness of a color or tone.

Today, value will help us make the paper look three-dimensional.

3. TEACHER DEMO — LOOK → FIND VALUE → SHADE

What should I look for before I start shading?
STEP 1 — FIND THE LIGHTLook for the brightest areas first.
STEP 2 — FIND THE MID-TONESLook for the gray areas between light and dark.
STEP 3 — FIND THE DARKEST SHADOWSLook inside deep folds and where light is blocked.
STEP 4 — BUILD SLOWLYStart light and gradually build your darkest values.
HighlightLightMid-tone ShadowCore ShadowCast Shadow

4. MAIN CHALLENGE — CRUMPLED PAPER

CAN YOU DRAW WHITE PAPER WITHOUT USING WHITE?

Use VALUE to make your crumpled paper look three-dimensional.

  1. Observe the largest folds first.
  2. Keep your light areas light.
  3. Add mid-tones gradually.
  4. Build the darkest areas slowly.
  5. Show a clear cast shadow underneath or beside the paper.
  • I used more than three different values.
  • I kept some areas very light.
  • I created clear dark shadows.
  • My paper looks like it has folds and volume.
  • I included a cast shadow.
30:00

5. GALLERY LOOK

Find one drawing where the paper really looks three-dimensional.

Ask yourself: What did the artist do with value that made it convincing?

05:00

6. EXIT TICKET

What did VALUE do that LINE alone could not?
Line helped me show ____________________. Value helped me show ____________________, which made the paper look ____________________.

 

All rights reserved ÂŠī¸ Valen Daughtrey